(con)Figuring This Out

The previous post was a rant, and this one isn't one as well.
That being said, there is nothing outside the (con)text, so don't read too much into it.


Reference(s)/Allusions:
Derrida, Of Grammatology (1967)
Derrida, "Structure, Sign, and Play in the Discourse of the Human Sciences"

• "If this is so, the whole history of the concept of structure, before the rupture I spoke of, must be thought of as a series of substitutions of center for center, as a linked chain of determinations of the center. Successively, and in a regulated fashion, the center receives different forms or names. The history of metaphysics, like the history of the West, is the history of these metaphors and metonymies. Its matrix-if you will pardon me for demonstrating so little and for being so elliptical in order to bring me more quickly to my principal theme-is the determination of being as presence in all the senses of this word. It would be possible to show that all the names related to fundamentals, to principles, or to the I center have always designated the constant of a presence-eidos, arche, telos, energeia, ousia (essence, existence, substance, subject) aletheia [truth], transcendentality, consciousness, or conscience, God, man, and so forth.
• The event I called a rupture, the disruption alluded to at the beginning of this paper, would presumably have come about when the structurality of structure had to begin to be thought, that is to say, repeated, and this is why I said that this disruption was repetition in all of the senses of this word." (http://hydra.humanities.uci.edu/derrida/sign-play.html)

Nietzche, "On Truth and Lies in an Extramoral Sense" 

• "What then is truth? A mobile army of metaphors, metonyms, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions - they are metaphors that have become worn out and have been drained of sensuous force, coins which have lost their embossing and are now considered as metal and no longer as coins."

Plato, Gorgias and Protagoras

• Socrates: Words which do what? I should ask. To what class of things do the words which rhetoric uses relate? 
• Gorgias: To the greatest, Socrates, and the best of human things [...]
• Gorgias: What is there greater than the word which persuades the judges in the courts, or the senators in the council, or the citizens in the assembly, or at any other political meeting?-if you have the power of uttering this word, you will have the physician your slave, and the trainer your slave, and the money-maker of whom you talk will be found to gather treasures, not for himself, but for you who are able to speak and to persuade the multitude.
• Socrates: Now I think, Gorgias, that you have very accurately explained what you conceive to be the art of rhetoric; and you mean to say, if I am not mistaken, that rhetoric is the artificer of persuasion, having this and no other business, and that this is her crown and end. Do you know any other effect of rhetoric over and above that of producing persuasion? 

"Rhetoric is to Justice what cookery is to medicine"