“I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body--flesh and bone--and from the Earth's body--stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.” ― Gloria E. AnzaldĂșa, Borderlands/La Frontera: The New Mestiza

Wednesday, July 9, 2014

A Fool

It tended to be cold out most of the days, like the breeze one feels from opening a freezer--that sudden gust of condensing vapor: the instant, brief hint of fog.


frigid aire


No one was home, and there wasn't muchpasteto eat. He toasted some wheat bread and warmed some coffee. He sat on the warmly lit kitchen table. Dimming the light, he took a minute to look down at supper for that evening. Clasping his hands together over the dish of warm bread, he prayed, even though he wasn't very religious. He prayed to nothing, for nothing, grateful for nothing, for the nada in and of everything. He supposed it funny to be hunched over those crumbs, but it just felt right. He lit a candle and dimmed the light some more. 


Sometimes right lighting can make all the difference. 


He repeated many thanks, but most of them were directionless.
A loud knocking woke him from concentration. Tok, tok, tok! he went over to open the door. It was an old friend. 
yo-yo, what’s up?”
“Hey!...Come in"
Nada nada limonada..just trying to eat. Want some coffee or something?”
“Come in, close the door”
They both ate toast and drank coffee.



They talked a little about a recent LACMA exhibit: the Olmec heads—a bunch of concrete heads on display all over the museum. He recalled it being a nasty thing. He talked about how they must have been an innovative people to be able to fashion all that rock into shape, but his friend thought it a shame that the history testified to a dark past. His friend said heads are severed through policy nowadays. He stopped paying attention and wandered off in thought when his friend got into nostalgic and political words. He didn’t want to hear any of it; It was tinkling brass and phraseology to him--a speechifier and too much pomp.





“Listen, I’m going out”
“Where to?”
“I’m going to meet Hope by Dockweiler”
“oh...bad timing eh? ok, well, I came over to see what you were up to. Hey, what are they doing to the streets over there?”


Outside, the jackhammer played a symphony to a tow truck that kept rhythm.


“I don’t know...repairs”
“Well, if ain’t broke don't fix it, I always say” His friend took paranoia seriously.

“wise words there”
“You bet! next thing you know taxes will be going up! well, that being said, take care! See you later”
“...take care. goodbye”
And like that his friend, as suddenly as he appeared, quickly disappeared. 




He called twice and there was no answer. Maybe she got caught up in some sort of business, he thought. It’s always some sort of entanglement. Last time she told him she was held up by a conversation. There’s something dreadful about carrying on a conversation whilst another needs to go. Seems there is rarely any time to “stop and chat,” and sometimes many see it better to carry conversations over into some sort of a digital interface. There is something weird about the human condition when devices used to communicate isolate in some fashion—fragments, a message here, an e-mail, a picture, a disembodied voice (voicemail) there. nowhere and virtually everywhere He sent a text message: “headed out, take warm clothes, see you there,” and grabbed his jacket and car keys.


He started daydreaming about something; he didn’t even recall what though. He’d lost his wallet the prior night and was calling the bank to cancel the credit card. A recording that notified him about all the tellers being busy would occasionally interrupt the muzack. It was nice, at least, to hear that voice. It was human, even though it was recorded; there was some history there, in the tone that said, "thank you for calling." He hung up and decided to cancel online upon return; he was heading out. Driving down the 105, passing LAX, the metal machines took off and dragged clouds behind them over the blue canvas.  The days were filled with this type of useless daydreaming. The fog thickened as he neared closer to the Pacific down Imperial toward Vista Del Mar. 


He arrived a little early, or just on time, depending on purpose, which is never quite clear yet opaque as air. He parked on Vista; it was happy hour. He entered a pub and, thus, shifted the atmosphere. 


Young mm-man,” said an older gentleman.
“Don’t listen to, -sten to him, he’s drunk” said another over his shoulder.

The young man laughed, a bit drunk, not really to humor them; his drunkenness had reached a level of looseness whereby one could forget about themselves. On the brim of Dionysian forgetfulness. 

His (e)very cell(s) was doused in alcohol. 

He checked his cellphone: nothing. There actually was a sense of relief since his clouded, intoxicated thoughts would be furthered obscured by the weak signal on his cell. 

“LL--Listen to what, to what...I am telling you! you see..see that woman over there”
“yeah, she's beautiful”
“right you are, there...lover boy! gg-go over, and ask her, if she’d like to have sex. What’s the worst that can happen? She slaps you or she says yes”

He was starting to sober up, or he needed another drink.

“1 in 99 that it might work; I even doubt that...that figure, maybe it's more like 0 in 100”
"0 in 100! see, that's what's wrong with you young man, take a risk! 
1 in 99? now that zounds likepretty good, purrety good, odds, wouldn’t you say? Feeling lucky?”
“I’m not a gambling man”
“Well then you ain’t living! It feels good to live!”
“excuse me, I’ve got to take this call”
"bah!"

He stepped aside. 

“Buuuueno?”
“Hey! How are you?”
“hey-ello! as good as the next man suppose”
“you ok? hey listen, I won’t be able to make it, I’ve got to finish up some work and I'm feeling soooo so tired. I’m so sorry”
“oh? um-hm..well,"

He sighed

"No worries, no big deal. Something came up..."

He cleared his throat.

"...then something came up...I’ll see you tomorrow?” he inquired.
“definitely”

“Guess I’ll head home”
“Again, I’m sorry about this!"
“Don’t worry, we’ve nothing but time on our side. We’ll meet some other time”
“Ok, love you, goodbye”
“Take care”


Inside the bar an argument broke out and the older man was nowhere to be found. He ordered a shot of tequila, drank it without company, and headed toward the shore.


He had always enjoyed the ocean. He loved feeling the sand grains on his face and the smell of a salty breeze that is so strong one can taste it. One can get a clump of wet sand and hurl it into the ocean and imagine it breaking down into several pieces. The oil-rigs in the distance seem to float out there in space because at night the horizon blurs in with the dark, and if you squint, the faint light can imitate a star. The occasional bon-fire’s attract occasional kumbaya folk and spiritual testimonies. He didn't like it; the zeal can make you lose focus of the sand, the moonlight shimmer bouncing of the water, the breeze, and the gentle crashing of waves sending salty mist into the air.


He had all sorts of questions in his my mind. At work, the teens were reading Siddhartha, and he thought about how much in that novel he didn't understand. Out of suffering came love for the Buddah. For him, pain and suffering: it was life. But connection through such baseless feelings while some love and others despise with words like love and hate meant nothing against the names of oceans, neighborhoods, galaxies, hunger, and people.


His liver was hurting; he often, absentmindedly, mixed  painkillers and alcohol against reason, and he was paying the price for it out there. He wasn’t waiting for an answer, really. He didn’t wait to hear anything. The shore’s salty breeze fizzed in the air like fizz.


The horizon melded with the ocean in a vast canvas of darkness, and the oil-rigs in the distance flickered like a stars. All of the medicine in the world could not fix the dis-ease he felt that night; his eyes burned against the breeze.


He took off his clothes and walked into the Pacific, deciding on a swim. The shore waves hypnotized his vision with an ebb and flow of stillness. The water, he figured, was sure to set him straight. The ocean hissed ~shhhh~ and smoothed the sands; no other sound could be heard but that of a cricket, chirping somewhere in the twilight.



Tuesday, July 8, 2014

No, everything is not Permitted, even if there is no G-d.

t     h     e     v     a     s     t     c     a     n     v     a     s     o     f     b     l     u     e     s     k     i     e     s
       .  .-.-=-.                                      _.-.-=-. .-=.'"=.-=.               ~                              !  
  ( OPPRESS   )   .'    \&/     'suffocate-=_=-'    with reminders of               BEING   tossed
to~          )) )
     a'nd       )                                                     :above:
            ~fro)                                         B              from the
   '-"-=="                                    ~            l           . consecraitons .         .                                           u               into
                       ~                                                                                                 hu                   transforms                                                
                                              blazon                   twilight                          signals                     of
                 sensational  @@@@@@@@@  entrance             bla           that
      ^^       ^^              @@@@@@@@@@@@@@@ ~              gluh!              o           Nada! nadada!
                              @@@@@@@@@@@@@@@@@@              ^^              h
   ~  in  the                @@@@@@@@@@Ω@@@@@@@@@                            c
 ~~~~ ~~ ~~~~~ ~~~"and the giver of golden coats relinquishes its orange flares"~~~~~~~ ~~~~~~~~~~~ ~~~                                           E                              
 ~    undercurrent  ~~ ~ ~    vacuous   ~~~~~~~~~~~~~~~~~~~~ ~       ~~     ~~ ~                             a
   ~      ~~      ~~ ~~ ~~  ~~~~~~~~ ~~~~  ~     ~~~    ~ ~~~ resound~ ~~
   ~  ~~     ~         ~      ~~~~~~  ~~ ~~~       ~~ ~ ~~  ~'nd\o/~ ~
 ~  ~       ~ ~      ~           ~~ ~~~~~~  ~      ~~  ~rise     ~~~     ~~
       ~             ~        ~      ~      ~~ Prayers           
 of   a    g r e a t o c e a n i c w a v e~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~~ ~~~  ~
The vast canvas of blue skies oppress and suffocate with reminders of being tossed to and fro in the undercurrent of a great oceanic wave. Prayers rise and resound a vacuous echo that transform into consecrations from the above: Blubhublagluh! and the giver of golden coats relinquishes its orange flares, a sensational blazon signaling the entrance of the twilight. The name of things ring hollow next to the chaotic monuments of geometry--in the puffy coil of a cloud and in the seeming randomness of a curl in a wave. Nada! nada! can be heard faintly from some unknown place.














The universe tends to communicate whatever message you'd like to extract from its leaves, trees, and automobiles. Things tends to get muffled in between; the act of translation and decoding has always been a delicate matter, and I tread softly over the relics of the past seemingly alive in the present.

I reflected on this matter over some coffee at a local shop. I froze my gaze upon a palm tree swaying in the breeze. The prelude was set, and the silence accentuated an intense emotion behind my composure:

I felt like crying. My eye's filled to the brim with moisture. I felt tired and weak and stupid and frail and like the biggest fool in the world. I beat myself up over and over that I feel ashamed to tell you about it here, none of it was healthy for my mind or the universe. It was absurd, the existence of humanity--a comedic reflection of defiance against the indifference of a vast multiverse.

For a brief moment, the wonder of a young man--an embodiment of power, rationale, and passion (or lack thereof)--realized that at any moment he is easily thrown about like a rag doll torn to pieces in a social whirlwind that invade and overwhelm the fibers of his consciousness on a day to day basis, and like the majesty of movement in a lion's pounce and bite, his mind is ripped to shreds.


I felt at that instant like a fanatic and wanted to jump up and down like a jack-in-the box. In fact, the very fact of me feeling in that manner illustrated the mechanical nature in my existence. I was a mere object under the illusion of a conscious subjectivity that had been set in motion ever since man sat around fire and planted crops. This thought heightened my melancholia into laughter and stupidity. My tears subsided and I felt like part of the crowd, sipping my iced coffee at a kaffeklatsch where no one was invited and the only guest was myself and my foolishness.




"If God does not exists, everything is permitted" -a popular translation of Dostoevsky's line in The Brother's Karamazov

Wednesday, May 21, 2014

round and round and roundroundrouwndrown.

He was really into the Beats and their style and the 60's and all that "free spirit" peace & love stuff. He wrote in the skein of Allen Ginsberg to the tune of the Hydrogen Jukebox World. Language seems to often reflect the worldview of the user, and in this particular "piece," the language allowed for a given set of expressions that which the current time in history allowed. He wrote in the skein of Allen Ginsberg to the tune of the Hydrogen Jukebox World, but he inserted tech-neologism. An action, and equal and opposite reaction, an  equal and opposite reaction and a counter-productive action: Thesis-synthesis-antithesis-and so on an so forth and round and round and round and roundroundrouwndrown.

He asked me to read one of his "pieces" that described the real world, or something about capturing the "real"...something about the "thing in itself"....something about "no ideas."


After I finished, he asked, "how about it?"

And since I did not know, nor do I know now, much about content-form-meaning, and purpose, I told him that it was good. That it evoked some sort of sadness in me. He smiled and said "thanks." I wasn't sure if he meant it sincerely or if it was sarcastic or if he was simply responding in accordance with reciprocity. The doubt elucidaed a mild schizophrenia elicited by a type of capitalism that provides the paradox of a no-identity.

I'm horrible at goodbyes, and what follows is what occurred to me at that moment of departure: I waved and half-smiled and returned to my table, exhausted from self-induced awkwardness.


His "piece" reminded me that after reading Dostoevsky and Castellanos, I still had the audacity to write, let alone the audacity to speak on matters very unfamiliar and foreign to me: life.


And I mean the above in the very sincere. Dostoevsky made me bow to the Christian G-d and Castellanos helped make sense of the senseless, and versa-vice, and thus, everyday it's vice-versa and versa vice; up-down, bow-stand; left-right; no-yes-no; downside-upside-down. Is this real? Have I captured the "real" in itself? Oh! oh! oh! bless me! Amen! Amen! Amen!

All this and nothing until the movement reflects mechanization, a movement directed by the given factors--perhaps you may know this as "Historical Materialism." Tossing and turning, turning and tossing, all the while gathering an empiricist epistemological theoretical framework by which to approach and (re)examine the "current circumstance"--perhaps you may know this as experience. And this experience allows the currency that yields authority to speaker/writer/listener, and the currency gathers charge by the effectiveness of the experience--some may call it dialect and rhetoric, and those outside of the "enlightened" rhetoric and dialect and theory/theories of words, or "commoners," would call it mental masturbation, or crazy. The latter is probably right.


And it is the "current circumstance" which perpetually perplexes scholars and "commoners" alike, and it is the "current circumstance" that I am no expert in, and, thus, retell you, dear cyber-cruiser, that I still have the audacity to write, and write badly. worsely and worserly.

This writing process damages by tormenting. The act seems, to me, a 2, 3, rhizomatic street. But, the very structure I write in, in the "current circumstance," reflects the degree of (my) proper schooling and training in the written word. Indeed,  The language seems to often reflect, and neglect, a particular worldview of the user, and the language allows for a given set of expressions that which the current time in history allows, or so it seems to me, in my "current circumstance." 

Indeed, every individual possess a degree of development and understanding in accordance to the present factors. The content demands certain form, and vice-versa. But, this, this very "piece" is merely goobledygook for the "unlearned," and this is gookygoobledy for the learned, and vise-jaw-versa--(c)LOCKwork. round and drown. no one knows what they are talking about and when someone says something "smart" and everyone goes goo-goo-ga-ga, a common and popular phrase nowadays that translates into, "ah, yes! I identify!" a mere appearance of (ex)change occurs.

The outsider can serve as a mirror to the insider, modalities can alter and power can dissolve, and vice-versa. The other day I saw a man wearing a Rorschach inkblot shirt and I called him a racist! He replied, wot? and mumbled "babblebabble," a dastardly gesture no doubt!


All this to say, my e-confidant, that I am caught in the schizo-frenzy, a mild schizoid neonate that ate the advertisement adverse to self and incapacitated in the capacity to individuate, actualize, and realize, that I'm a nonsense talker phraseologist peddling pedantic semantic walking the tightrope and tap-tap-tap dancing along a thin wire for the greenback. 

Identity fostered and linked to the urge to consume, sell me an identity please. Commodify me. Abuse me. Rape me. Language is the name of my game. What do you read? words words words. round round rounding in a sea of words. Old Jameson, all "postmodernism in consumer society" type. The old whiskey type. Blended Irish type. Consume enough words and the virus starts to do its work. The "I" in "me" is where again? outside? a construct you say? incoherent you say? crazy you say? thank you? say you? you? what? now? nothing? no





I'm sorry for the digression dear cyber-friend and that after having tormented you with a dose of madness I hope you have not been decimated, perhaps you have not been touched at all! great, I am too tired to continue this line, or dis-linear mode, of thought. 


I will tell you the magical day that followed after having met my friend and his "piece" of beat poetry.




This particular day felt like a nightmare. Throughout my tutoring sessions, I saw the same person with a different mask every 30-minutes, each one of them linked by the common association of amnesia. And this amnesia was contagious...wait, didn't I just...never mind. How can I help you? It felt like a cruel joke: "Someone's idea of fun"

The day flowed along until I found myself in my little room, as though transported by some sort of surreal magical realism that modern realism does not allow.


That night seemed like an eternal Saturday night; in fact, it was suddenly Saturday night and the city glowed with warm oranges and reds, and the heat came out from summer night rock n' roll fever; Warm dance floors exhausted sweaty and salty and oh so sweet cries of pleasure and shameless laughter. 

from the hilltop I could hear the youth enjoy red wine and lose their senses...just enough to carry on a sensible conversation about how mad and obsessed love has made them.


I was there, observing and writing as a break from grading papers. My skin could not contain the desire to see the apathetic trees wave to and fro, persuaded by the wind to dance along to zephyr moods where moonlight swims. I started committing the pathetic fallacy. I wanted to shake the realism. Not because it was a "no" to nihilistic existential psycho-babble blah-blah-blasĂ©, but because I needed a dose of fantasy, a dose of surreality and madness. I was already feeling crazy, the only option after having lost your mind, some might agree, is to see how deep the rabbit hole goes, or perhaps it was just the heat.


I raise my head from the counter and finish my beer. A sudden shift in my position that I attributed to residues of amnesia.

I am walking along Broadway Boulevard greeting the theaters that have been turned to Churches--The Million Dollar Theatre, The Palace, the Orpheum, the Los Angeles Theatre!

I walk among the defeated that face the city symphony of indifference: stale stench of wet tobacco and piss fumigate the butterflies away from the roaches and rats and madmen. 

I feel sorry and angry and superior when I bump into foreigners that call me foreigner and giggle hee-haw-hee-haw. 

My eyes start itching and out come moths. A spell of magical realism no doubt. Everything's too sudden. Everything unbelievable. Sirens bellow toward the Eastside down Sunset, a common playground for Eros, Dionysus and Ares. The West belongs to Thanatos, and that is where I'm headed. But suddenly I find myself on the hilltop on Grand Ave. Walt Disney Concert Music Hall. A stranger greets me, and it seems she's been waiting for me.

Her silhouette figure blends into and out of the shadows; she dances but there is no music. My eyes start to tear up. I feel weak and tired and stupid and like a terrible human being. I fall on my knees and she hurries over and lifts my chin and my eyes are now looking at stars.

"I'm sorry! I'm sorry!" I utter through tears that I am still holding back. Choked cries. Angered. Hot. Steaming. Weak. Exhausted.

She continues dancing. Not a care in the world. I run after her.
Walt Disney Concert Music Hall madness. Fuck this. I've no reason to feel like I do; try walking through the dessert for 3 days without food, evading trucks with armed men and shinny badges. Try living amid a war zone with constant threat of a raid. Try drinking your latte without creamer. Try witnessing your parents beheaded by Khmer Rouge. Try having your brother prosecuted for Communism. Try being addicted to crack. Try walking down Skid Row on payday. Try hearing your mother's head crack against bedroom window. Try seeing your cousin sleep on the sidewalk bus stop (did you help?). Try having your father only communicate when drunk. Try not thinking about your self. Try not writing about others. Try writing about yourself. Try looking in the mirror. Weak pathetic fool. Try it!

I realize that I'm walking in circles. vice-(ver)sameness. I am reminded (by my very self! oh the "cleverness" of me) that I am just a damn fool. And I'm back in my room. Hot. Steaming. Tired. Exhausted.









From the hilltop of City Terrace, everything in this little room suddenly turns into a detached peacefulness too quiet for comfort. My throat dries up, trapped inside a tiny, stuffy room. Saliva soaks in immediately into my parched salty tongue. Ancient blood courses underneath my sweltering skin. Sticky skin and cracked lips beg for moisture. 

I'm surrounded by words. Books. Papers. Articles. A clear reflection of my inability to grasp words. A clear illustration that I am trying to understand words. Clear evidence that I am drowning in a sea of words. Psychosis intensifies when the first thing I find rummaging through the mounds of articles is an underlined text I once read on the effects of language and physical deprivation...Something about Frederick II, Holy Roman Emperor, killing babies by depriving them of language and touch.

A knock on my door and a voice behind asks me to go "check this out."
"The ambulance came for the neighbor. Something crazy must've happened"

"His daughter is hysterical...she's trembling all over the place"
"look! look!"

It was all too real. Red and white lights bounced off my wall, moving around and around atop the ambulance van. Inaudible words could be heard through static of radio walkie-talkies, and I drifted off to sleep, drifting into a temporary rest, and "pushing out," or "suppressing," or whatever you wanna call it, le tourbillion.



Thursday, May 1, 2014

Strawberry Coconut Tapioca Boba

He told me that Yucatan meant "something like...I don't understand your words." He found this out from a book he read in the field of anthropology. According to the scholar, when the Spaniards arrived on the southeastern, northern tail of the country's fish-like shape, these foreigners misinterpreted the words spoken to them by the people already there, and in their audacity, which seemed to me a mixture of ignorance and a sense of entitlement, they designated to the land the title of Yucatan.

I wanted to tell him that Peru had a similar history, but I still need to read more books.That for the Quechuan people, to the day, "Peru" connotes disdain: a reminder of Spanish butchery. I remember asking a Peruvian cabbie about this, but he turned his head, as though shamed, and refused to comment.

What happened between me and the cabbie was Yucatan.

What was happening between me and this young scholar was Yucatan.

What often happens between two lovers is Yucatan.

What happens between the spirit and the academician is Yucatan.

And when Yucatan doesn't happen, we find the more "accurate" Yucatan--a piece of a beautiful country with beautiful people and beautiful songs.

We sought Yucatan, I think, as we walked over for a strawberry coconut tapioca boba. Discussion veered into alien abduction, black holes and time-travel. People testify to these events, he said. They're probably crazy, I responded...after all, who would remain sane after having experienced such events? I once felt possessed by something oceanic but passed it off as mania and held steady under my sweaty skin. Luckily, my sanity wasn't affected much...I think. Besides, there are less important things that tend to affect my mind, like work and rent, for man will not live by bread alone. 

I told him this, more or less (perhaps less). He chuckled. I laughed. We drank our Bobas and parted ways.









Monday, April 7, 2014

Stir-fry'd electro-execution

1.
It's break time and I rush over to the "Chinese Express" for a bite. I sit down and I clasp my hands over my perpetually pre-re-heated fast-food medley bowl of fried rice, noodles, and beef and broccoli. I inhale and exhale, attempting to relax amid a loud-mouthed conversation of a woman reminding her mother about it being high-time to realize that she (the mother) is not young anymore: "you can't do what you used to do anymore. face it, mama."

Above my head the loudspeakers play some pop song that echoes in my mind and bounces around in my jelly thoughts; a code travels and spreads through soundwaves that concretize an encrypted message which 
crawls about in my rotten ectoplasmic brain. It's insane, but I start to feel itchy under my skin. I scratch all over but I cannot find the exact location of the itch. I start thinking that it's all psychosomatic. And I sing the tune like a recording machine, "goog goo, goo," etc.

The day is filled with sentence after phrase after fragment and so forth that accumulates into a gradual possession of every fractured fiber in my frail consciousness (or lack thereof).

Stir-fry'd electro-execution.

I roll a mass of noodles on my plastic fork and chew away, gnashing sloppy oily tube-dough fibers into a mushy paste. Into my esophagus. Into my own tube-dough entrails.

I have to hurry back to work.

Letter after letter after chinese fragment: my mind feels fagged and shagged from the old in-out-in-out of up and down turn turn turn around meet and greet sessions of 30 minute assessment. My body is running on e-cigarettes and lukewarm coffee. The belly is filled with liquid that bleeds into my lungs. Gasping for air, I explain and ask questions here and there, at this point almost everywhere, about sentence after sentence after...


sentence. The thoughts on the pages are splayed and stretched hurdy-gurdy with parchments and particles of disarrayed and organized squares, circles, and arrows in a concert of static coherence. As long as a mutual understanding is reached, the various scribbles and squiggly lines work for all.

The mesh of text accumulates into knots, twists, and turns that reflect my morning rituals: Invisible bandages and bonds that binds together people and my coherence. "Buenos Dias Don Roberto" "Buenos dias muchacho, hechale ganas" "no queda otra! take care!"
I hop on the bus for an early morning round of elbows, assholes and dirty nasty flesh packed like sardines inside a humid metal truck. Hot breath and unwashed mouths heaving holy spirits that awaken the dead. The gym is a walk in the park in comparison to these type of post-modern work-outs.


2.
The day is done and now the headlines do their work. I log on before I head home for a quick wander through cyberspace.

The news spreads information about certain disruptions of violent, but also of rebellious, breakouts of particular individuals. But I try to dig deeper. Attempting to realize that these "particular individuals" evidence the fruit of experiMENTAL labor. Compartmentalized and goo-goo-gaa-gaa spoon fed certain data for certain output.

Mathemajix: PsychoKem.


I keep up on the silent battle called the Bay of Twitter, an experimentation in cyber war over in Cuba. 
Over in the UK, E-Day: Project Underlord. String theory at work: attempts by the Almighty State Saviours (ASS) to "affect the course of political process in the country." These words taken from the Joint Threat Research Intelligence Group (JTRIG), part of the british intelligence agency, Government Communications Headquarters (GHCQ). For what purposes? Well, i'm still trying to figure it out, All this Input: Output, on my spare time, of course.

But I think it might have to do with population control. 


There is a group of NASA scientist and Mathematicians that have collected data on past and current trends to predict the future.

They call it cliodynadimcs.

The mathematicians have these complex models that chart historical trends regarding sociopolitical instability. The NASA scientist have concluded that resources are diminishing at an extravagant rate. The mathematicians predict that by 2020 there will be a great likelihood of a peak in violence.

...

And the preacher says we are living in end-times, given the recent earthquakes, etc.

Intellects or men of spirit, all seem to steer people into more artificially induced consumption of useless resources based on artificial wants and needs.

I start thinking that the Nazi's won after all. The U.S. took their scientist and their research, from everything to human experimentation and propaganda machinery manipulation.

Input: Output. 
Mathemajix: PsychoKem. it's going on online through little digital blue-birds chirping around every corner of the world and ad pop-ups in your social bubble network.

When I start making comparisons to Hitler's regime, I know it's time to shut down.

I need to stay away from the net. And, it's ability to induce and reinforce propogations of my self-induced mind virus creations. 
Stir-fry'd electro-execution.

There are various types of cognitive science theories that could pathologize and legitimize the "abnormalities" in my mental behavior (and with good reason too!):

The subject is psychotic. Clear case of delusion. He's snapped.
Clear case of apophenia and pareidolia. He's chasing moon rabbits. Persecutory delusion. Confirmation bias and Cognitive inertia. Oppositional Defiance Disorder. etc.


In these days that bleed into each other, time resembles a porous concrete curb.


And I don't have to travel to the "darknet" or by proxy to get the "surreptitious" information about collusions between money, power, and nationalism. The encryptions travel in plain sight, and sometimes there isn't any cryptography at all. No need to hide when the damage is done in plain sight.

I realize that I have been staring down at the curb the whole time, wondering about nothing, when a little roach, crawling in and out of the cracks of crooked lines and holes, called me back into the current time-zone. I sprinkle some breadcrumbs on the roach, who knows where it's been. I wonder if it is aware of how easily it can be stepped on out in the open; I wonder if it knows this?


3.
Everyday I walk uphill on Eastern Avenue past a painting that looks like Maria Felix; the painting of this woman is a bust; She's chopped at the breast and only her face, head tilted back and up, shows the Aztecan-Spanish features and rosy cheeks. Her Mestiza blood promotes the sales of a somewhat famous East Los chili brick, packed hot then frozen. "LA's Favorite Chili."

She wears a large black crown tiara, and she hangs a red rose over her left ear. The word "DOLORES" in white and red next to her.

My heart usually races at this point from the incline, but I look up to Dolores and I become distracted for a moment. The d
ust and foliage roused by cars and buses going uphill and downhill blast me on the face and peck my sticky skin. The whizzing VRrooom ZIiim adds to the whirlwind vortex of my dizzy spell from choking on dead leaves.

I finally reach my room. The small desk is cluttered in research articles and oddball theories from dark corners of the web. The only thing that reflects an image on my walls is a mirror. Everything else is bare. Empty cans of energy drinks line my shelve. I feel suffocated the more I think about the empty room. I have made no effort to claim it as mine. I refuse. I need not make an statement through extension, but the fact that nothing hangs ironically reflects a statement: emptiness.

And the emptiness intensifies, especially when I do not sleep at night. Tossing and turning. Seeing nothing. Feeling nothing. If there is any feeling it is that I feel stupid. yes yes...that must be it.

I recollect fragmented memories that keep me up (with these types of thoughts who needs coffee!). Was it the shattered glass in the middle of the night? could it have been the yells I heard coming from the walls? Or the banshee screams and bloodstreams that made my skin tighten and the heart stop, for a minute, as I rushed to the restroom where I found a little girl crying over a stream of her blood? Or perhaps it was the maniacal hysterics of a desperate mother yelling 
Help! Help! and running out of her home with a rag-doll child in her arms. Or the young boy waiting inside the car for his superhero that was getting wasted inside the bar?

Stir-fry'd electro-execution. 
These thoughts fill the emptiness with a loud silence. Where is my family? Lost Angeles. Dismembered. Dis-remembered. Severed. Dreams of drugs and violence. Not even in my own subconscious thoughts can I find sanctuary. Waking up with a feeling that something is missing. Dreams mean nothing. nothing. A Terrifyingly terrific silence of nothing (Actually, I probably dream (studied scholars state that we dream every night), but don't recall any of them, either due to terrible memory or the fact that my brain is filled with nonsense...yeah, probably the nonsense).


After a few days of irregular sleep patterns, the sense of senselessness intensifies. Headaches and dizzy spells shake my mind and eyesight left and right. Vertigo, I believe it's called. Entropy, I prefer to call it. Either way, it's all signaling a slow unwinding. A great fall, perhaps. 


But it's just another day.